Alexandra Bischoff
  • ALEXANDRA BISCHOFF
    • Statement & CV
  • Recent
    • beholden
    • cherry shrimp and golden Laure
    • crick
    • give my regrets
    • Here you go, Bernard
    • house poor
    • Notes on Madonna
    • The Readers
    • Rereading Room: the Vancouver Women's Bookstore (1973-1996)
    • secretory
    • spit shine
  • Archive
    • au clair de la lune
    • a muse me
    • a woman’s charm
    • Dear Large Bachelor
    • eggshells, eggshells
    • For the Good Times
    • "GAGS"
    • Iron-Woman
    • I SEE THINGS IN YOU (36 Vancouver Galleries)
    • long distance
    • L'Origine, Plucked
    • no, tell me
    • "Peach Fuzz Honies" (sic)
    • Peep Show Pop-Up
    • Plucking L'Origine
    • Skin on Skin
    • sleepy selfies
    • SOOT
    • Suds-Bucket
    • thrum
  • ALEXANDRA BISCHOFF
    • Statement & CV
  • Recent
    • beholden
    • cherry shrimp and golden Laure
    • crick
    • give my regrets
    • Here you go, Bernard
    • house poor
    • Notes on Madonna
    • The Readers
    • Rereading Room: the Vancouver Women's Bookstore (1973-1996)
    • secretory
    • spit shine
  • Archive
    • au clair de la lune
    • a muse me
    • a woman’s charm
    • Dear Large Bachelor
    • eggshells, eggshells
    • For the Good Times
    • "GAGS"
    • Iron-Woman
    • I SEE THINGS IN YOU (36 Vancouver Galleries)
    • long distance
    • L'Origine, Plucked
    • no, tell me
    • "Peach Fuzz Honies" (sic)
    • Peep Show Pop-Up
    • Plucking L'Origine
    • Skin on Skin
    • sleepy selfies
    • SOOT
    • Suds-Bucket
    • thrum

​I SEE THINGS IN YOU (36 Vancouver Galleries), 2015
artist book, machine stitched photographs
first edition: 20 copies, 39 pages
8 x 8 inches

"In a similarly intimate vein [as Dear Large Bachelor​ (2014)], her residency [at Burrard Arts Foundation] has seen Bischoff searching for anomalies in the architecture of local galleries: an old heater here, a crack in the floor there, a tile askew. Bischoff identifies idiosyncracies through a process of careful looking and documentation. Collecting voyeuristic photographs (picture-taking already a taboo act in the sanctified gallery space), she slows down the experience of viewership and directs her attention towards the unique qualities of the host rather than the art on display."  --Elliat Albrecht

Exhibited at the Burrard Arts Foundation in Vancouver, B.C. on September 16, 2015 for the book-launch and reading event "Close Reading".
  • ALEXANDRA BISCHOFF
    • Statement & CV
  • Recent
    • beholden
    • cherry shrimp and golden Laure
    • crick
    • give my regrets
    • Here you go, Bernard
    • house poor
    • Notes on Madonna
    • The Readers
    • Rereading Room: the Vancouver Women's Bookstore (1973-1996)
    • secretory
    • spit shine
  • Archive
    • au clair de la lune
    • a muse me
    • a woman’s charm
    • Dear Large Bachelor
    • eggshells, eggshells
    • For the Good Times
    • "GAGS"
    • Iron-Woman
    • I SEE THINGS IN YOU (36 Vancouver Galleries)
    • long distance
    • L'Origine, Plucked
    • no, tell me
    • "Peach Fuzz Honies" (sic)
    • Peep Show Pop-Up
    • Plucking L'Origine
    • Skin on Skin
    • sleepy selfies
    • SOOT
    • Suds-Bucket
    • thrum